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What are film developers?
Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides).
We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...
Contact sheets are a great way to review and record your images. They allow you to view all the negatives on a roll of film before deciding which ones you want to print and how you may want to crop them. They also provide a permanent record of those negatives for filing purposes.
How to make a contact sheet
To make a contact sheet we recommend using ILFORD MULTIGRADE RC DELUXE
Set the enlarger head to a height that gives a 40cm (16in) wide rectangle of light on the baseboard
Put a MULTIGRADE fil...
Filters have long been a popular accessory for photographers and offer a number of different functions or effects. In both analogue and digital photography it is possible to recreate some of these in the darkroom or digital darkroom. However there has always been a benefit to getting it right in camera.
In black & white photography, colour filters in particular are useful as they can control how the colours in a scene are reproduced as greys. Normal black & white films are sensitive to all wavele...
Zone focusing is arguably one of the quickest and most effective methods of focusing your camera. With a little forethought, practice and pre-visualisation of your shot, it's a method that can reduce problems like shutter lag. Ensure your images are sharp every time. And help you take photos more surreptitiously.
It doesn't rely on automation and, in most cases can be put into practice before you've brought the camera to your eye. I believe it's a core skill and a method that everyone who takes photograp...
Going digital
If we go back to 2002 a close photographic friend convinced me (against my better judgement) that film was a thing of the past, and that to hold my own in the professional photographic world I had to go digital. Eventually I succumbed to his argument and traded in my Leica film cameras (I had 4) and started on the dizzy road to digital photography.
In those days some fifteen years ago I thought it would be just like changing film brands: OK it may take a bit of getting used to a different ...
Window Cleaners shot on ILFORD XP2S
An unknown language
When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time.
Expanding my understanding
Recently however I have been looking for different ways to expand my und...
Underbank Old Road
Technical info
Film Used Ilford HP5
Format 35mm
Camera Rollei B35
Lens 40mm Triotar
Exposure time 1 minute 30 sec at f11
Other equipment Manfrotto Art 055 tripod, Gossan Lunasix F light meter.
Location.
Underbank Old Road, Holmfirth, West Yorkshire.
Firstly, tell us the story behind this image. What inspired you to shoot it?
I used to shoot a lot of Night photographs, in fact I wrote a book about it in 2001 (Nigh...
HUNTING ISLAND XVI, 2018
Technical info
Film Used Ilford Delta 100
Format 4x5
Camera Chamonix 045N-2
Lens Fujinon SW-90
Exposure time Approx.2 minutes
Other equipment Sand & shells, to taste.
Location: Hunting Island, South Carolina, US.
Tell us the story behind this image. What inspired you to shoot it?
This March, I was in Charleston, South Carolina, and had a day to burn. I started looking around for somewhere cool to check o...
Of course, we see in color - but vision is just one part of how we sense the environment and moments. In the mountains I see tremendous peaks, I feel and hear the storms, freeze, and feel emotions from success, failure and intense personal experiences. All that black + white can convey more intensively - for me this is not a reduction over colour photography, but an amplification of impressions.
This is the translation of a short text I wrote a few years back for the German Schwarzweiss Magazine.
Si...