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Turning your negatives into positives
Reversal processing enables black and white transparencies to be produced directly from high quality films such as PAN F Plus, FP4 Plus and DELTA 100 PROFESSIONAL
How it works
It starts with the development of the negative image. This leaves the unused silver halide untouched, but it is not fixed, as it will be used later to form the positive image. After the negative image has been developed, it is totally bleached away using an acid bleach. This leaves the remainin...
Below are some of the common errors that can occur when processing black and white films. Unfortunately some of these errors can result in the images being lost or partially ruined. By knowing what has caused the errors, you may hopefully prevent any repeat incidents.
Film entirely blank - No visible images or edge signing
A completely blank film with no images and no signing (i.e text in the perforation areas showing product and numbers) - indicates the film has received no development at all.
Blank ...
Making the Most of Life Around Me
I don’t really remember a period of my life when I wasn’t making photographs. My mother got me my first point and shoot camera when I was about five. It was an ‘Action Man Spy Camera’ that took small 110 roll film. I loved the idea of blending in with a camera, trying to document what was going on around me without actually disturbing anything. I still love that.
Isaac Lismore Australia
When I was a teenager, I developed a great appreciation of skateboarding...
Over the last couple of months, we have noticed an increased number of customers posting their concerns on forums and social media channels relating to our 120 roll films in which spots / mottle have appeared on the negatives.
We pride ourselves on our high quality and consistent production and want to assure you that this issue is being fully investigated as a matter of priority. We appreciate this will be of little comfort to those who have experienced the issue and for that we offer our sincerest apol...
The Photography Show 14-17 March
There's not long to go until this years Photography Show at the NEC in Birmingham and it's going to be a great one. (If we do say so ourselves)!
There is going to be a far greater analogue / film presence at the show this year as the organisers have agreed to the inclusion of a dedicated ‘Analogue Spotlight’ area which will include some pods for smaller brands and a spotlight speaker area for those brands to do demos.
Come and see us!
We will be there on stand B93 ...
For the second of our Lockdown Session interviews we cornered another well known face in the film community, Hamish Gill. (We're just glad he could fit us into his hectic schedule)!
Section 1 - The Beginning
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Image by Hamish Gill shot on HP5+
That’s a tricky question. The above image is the one that immediately came to mind. I don’t darkroom print myself, but I did print at a workshop at AG Photographic a few ...
Early Experiements
Many, many years ago I experimented with uprating HP5, I was a student and it fitted the look I was after at the time. In those days, information was difficult to find and I relied on advice from friends. As a student, the mysteries of film and processing were fascinating and strange. I tried all sorts of things, but didn’t know what was really going on. I knew that uprating meant setting a higher speed (ASA in those days) on your light meter and then giving it a longer development tim...
Introduction
I often see echoed this absurd idea that somehow film photography is more “pure.” Anyone who has ever been a part of a film photography Facebook group has surely come across a post along the lines of “how much editing in post do you think is OK with film?” And, without fail, there will be at least one response from the analog bourgeois which goes something like “if you’re going to edit *that* much, you might as well shoot digital. Why are you even shooting film?!”
Sadly, we of...
Shooting Infrared film
Infrared photography has always been a unique and niche art form, allowing a photographer to capture images seemingly from another dimension. I say niche because capturing that "perfect" image requires a different approach to pre-visualizing your scene, an understanding of the limitations of infrared and the ability to adjust your settings effectively for changing conditions. For these reasons many photographers are reluctant to give IR film a try. This article will not only demo...
Is it really 10 weeks since we started this series? It feels so much shorter than that. If you have an Instagram account we are sure that you will recognise our 10th interviewee Jahan Saber, if not by his name then by his tag @doyoudevelop.
Jahan was nominated to take part by Dan Rubin in week 6 and we're so glad that was happy to get involved.
SECTION 1 - THE BEGINNING
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
There are so many, so here’s a recent ...