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For today's #ilfordphoto #fridayfavourites we asked you to share your #darkroomprints with us.
There is something special about taking your negatives into the darkroom and creating a print. I don't think that anybody forgets the first time that they saw the 'magic' happen.
If you haven't printed before but fancy giving it a go check out our simple how to video and then find a local darkroom and put it in to practice!
@tiboalberny Here's an old one on Ilford MG4 RC De Luxe paper painted with Ilford...
Crumble
We always enjoy finding out the stories behind some of the images that you share with us and we couldn't resist asking David Allen about this image.
Technical Info
Film Used: Ilford HP5 PLUS
Format: 120 (6x7)
Camera: Mamiya RB 67 Pro-S
Lens: 90mm/3.8 Mamiya Sekor
Exposure time: 1/100
Other equipment: Changing bag with an extra 120 spool.
Location:
Top—Philadelphia, PA | Bottom—Bradley Beach, NJ
Firstly, tell us the story behind this image. What inspired you to s...
Beginnings
I came to analog photography late. I enjoy being able to feel the film and create with my hands, and the suspense of not knowing how the final shots look until you develop the film. Shooting film changes the style of how I work. I take less pictures and think more. It is more immersive, I have more time to feel their characters, their experiences.
I shoot all my projects in medium format film. I do use digital, but only for commercial photography or for working on reports.
Materials ag...
We've got #travel envy after seeing some of the shots that your shared with us for this week's #ilfordphoto #fridayfavourites.
@stevewhiting “Ninety Degrees of Separation” #fridayfavourites #ilfordphoto #travel #fp4
ps_alpine_photo Morning light in the Lyngen Alps, North Norway. Voigtländer Bessa III, Heliopan yellow filter and ILFORD FP4+ (in ID-11). Nikon Coolscan 8000ED scan.
adibmufty Baalbeck ?: Leica M6 ?: ILFORD PAN F 50 ⚗️: ILFORD ID-11 1+1 ?: Lebanon ??
...
Pepperwood 1 - Clyde Butcher
Technical info
Pepperwood Redwood Forest #1
Avenue of the Giants State Park, California
8x10 inch Deardorf view camera 90 Snyder Super Angulon XL lens
no filter Delta 400 film f/45 exposure: 10 minute
Printed on: ILFORD Multigrade fiber base
Tell us the story behind this beautiful image
Long before I became a photographer, the redwood forests of California left me in awe. The enormous size of the trees - and their feeling of eternity - captured my soul.
In 196...
London Fashion Week
Earlier this year I shot my fifth season of London Fashion Week. I’ve been trying to incorporate new and different styles into my fashion photojournalism work, in order to stand out and also to exercise my own creativity. I’ve been shooting at London Fashion Week for about as long as I’ve been photographing professionally. It’s a great environment, fantastic for networking opportunities, building a decent portfolio of industry standard work, and also for experimenting with new t...
Opportunities
Now and again in life opportunities arises that you just have to take. You know, the ones that if you think about for too long will be missed, so you have to jump in with your best foot forward, or in this case with your best film forward.
This happened to me last year as I was casually talking to someone about my work they mentioned that they had access to an old building that had recently been vacated and was to be sold at auction. The building had been untouched for years, and they sai...
Violin
Technical info
Film Used: ILFORD HP5 plus 400
Format 120 (6*6)
Camera Hasselblad 503CW
Lens: Planar 80mm f/2,8 CF lens and Makro Planar T* CF 120mm f/4
Exposure time Double exposure (f/5,6 1/30s)
Location: Petrozavodsk (Russia)
Tell us the story behind Violin. What inspired you to shoot it?
I have been working with the Karelian State Philharmonic for many years. The Philharmonic invites world famous musicians for concerts and festivals, and I shoot portraits of those musicians fo...
There was this one scene I wanted to capture. I stumbled upon it walking up Old Man Coniston in the Lake District just before reaching the peak. Out of nowhere (unless you’ve studied an OS map) a body of water appears when approaching from the east. As we reached the water’s edge, the sun was bursting through the clouds for the first time in days. The light was fantastic, catching 2 large boulders protruding from the perfectly flat, reflective water with the hill layers mirrored on the surface.
...