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Despite the numerous challenges of 2020, we are delighted to share some exciting product news. We start 2021 with the launch of the brand new and improved ILFORD MULTIGRADE RC PORTFOLIO darkroom paper.
Utilising our 5th generation MULTIGRADE emulsion, this new formulation offers important advancements in product quality and performance that we are now pleased to introduce into our premium RC paper, MULTIGRADE RC PORTFOLIO.
These new papers have a slightly warmer base tint and image colour than their p...
We've really been looking forward to sharing this week's In Focus interview with you. We've been long time followers of Tyler's work and were thrilled when he agreed to take part in this series. As described by Allie Evans 'He makes you feel like the impossible is always possible'.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
I shared this image because it is one that without Ilford I would have never made, I fell in love with black and w...
Jupiter and Saturn Conjunction
There was a lot of interest in this shot when it was shared, so we asked Andrew Orr to tell us a bit more about it.
Technical info
Film Used - Ilford HP5+
Format - 4x5
Camera - Chamonix F-2
Lens - Rodenstock 210mm f5.6 at f/8
Exposure time - 2 hours
Other equipment - Sirui Tripod, shutter release cable
Location - Arizona
Firstly, tell us the story behind this image. What inspired you to shoot it?
I was inspired to take this photo after...
Even when you have a love of film and traditional darkroom practices, there’s always room for alternative photo process experimentation as ecological photo-artist Josie Purcell knows well.
OVERVIEW
I am a photographer, but trying to explain that I specialise in photographic processes that may not include a camera has led me to describing myself a photographic artist.
My passion for photography began in secondary school. There was a darkroom in the art class, but it was never used; it acted like a bea...
My default Choice
Colour photography has been my default choice for a long time. It is how my eyes see the world, it’s what catches my attention, and it’s what brought my back to film photography. My first roll in 2018 was a roll of Lomography 400 shot on a week long holiday in Madrid, Spain. The scans that came back from my local lab had me transfixed. I couldn’t tear my eyes away from the vibrancy of the reds and yellows. They popped so brightly against the grey and brown of the city in winter. I w...
An Unexpected Love
My love for Iceland was born unexpectedly, I absolutely didn’t see it coming and it washed over me like a tidal wave in a monsoon. We were planning a holiday of a lifetime. Somewhere with beautiful scenery to photograph, that was the only stipulation. It was more of an exploring holiday rather than the usual beach holiday we were used to.
Countries were thrown in the ring, I really wanted to go to Sweden and my husband threw in Iceland. It’s like I didn’t even know it existed ...
Number 37 in this series, which started a year ago as the Lockdown Sessions, sees us finding out more about Michael Watson. Nominated by Ryan Loco, Michael is a photographer based out of Des Moines who primarily shoots musicians and pro wrestlers.
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
Favorite is tough, I’ve shot most of the important moments or biggest opportunities of my life on HP5 for over 10 years. There are portraits of my parents that are really ...
In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints.
The Concept
At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...
Urban Lives and the Natural World
I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project.
There's a little bit of history in this direction with work from grea...