Search results for: 'exposur or'

I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely. Why ILFORD XP2 Super? I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...

My better half When my friend, who knows little about cameras, presented me with the 35mm Olympus Pen FT, it was a total surprise. Quite literally as a gift, but moreover, the camera’s function was what was most surprising. When I picked up the Pen FT for the first time, I observed how light the compact camera was. I immediately put my eye to the viewfinder and was confused. I silently thought to myself, “This is so weird…” I had never encountered a viewfinder that wasn’t horizontal. I had to lea...

SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...

The star of this week's #ilfordphoto #fridayfavourites #35mmpanf theme is the slowest film in our collection. Rated at ISO 50, PANF+ is a high contrast, super sharp black & white film with exceptionally fine grain. vaughnmphoto #35mmpanf @ilfordphoto #fridayfavourites canon iii, voigtlander 25mm/ pan f 50#ilfordphoto #longexposure #staybrokeshootfilm #grainisgood #bnw_captures #blackandwhite #35mm   @EJRFoto In Pieces Emily 2021 #FilmFriday #35mmPanF #1v #BelieveInFilm #fotografia #photo...

Light and Details Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs. When I started out photographing, I was mostly documenting my close friends and...

We are lucky here that so many of our staff are passionate about our products not just because they are proud of the brand but also because they use them themselves. Just like our 6th Behind The Film interviewee Mari. Who are you? What’s your job title HARMAN technology and how long have you worked here? I’m Mari Slater-Parry, I’ve been a research scientist at HARMAN since October 2018. I was originally employed on a fixed term grant through the INNOVATE UK scheme, before becoming a permanent member...

Three Exciting New Products We are pleased to announce the launch of 3 exciting new products. Two of these products support our goal of encouraging and enabling film photographers to take the next step in their analogue journey and experience the creativity and magic of darkroom printing. The third is the perfect holiday season gift for film enthusiasts. ILFORD Pop-Up Darkroom – Coming Q4 2021 The ILFORD Pop-Up Darkroom is the perfect solution for film photographers who want to print their negatives an...

One of the aspects that took me perhaps the longest to understand about black and white film photography - but, which turned out to have the most impact on my visual style – is that exposure is simply not real in any meaningful way. “Correct” exposure is incredibly subjective, especially true for high contrast lighting conditions where either the shadows or highlights can be exposed for in order to achieve a dramatic scene. I think there is a greater expectation for colour film to be a representati...

When an image that we share or re-gram gets a lot of interest, we like to get in touch with the photographer and find out a little more about the process that went into creating it. Le Lac du Brévent Technical info Film Used Ilford XP2 Format 135 35mm Camera       Olympus OM-10 Lens Zuikon 35mm f2.8 Exposure time I don’t really remember, I think it was something like f8 at 1/250 or 1/500 Location Lac du Brévent, Chamonix-Mon-Blanc, Savoie, Alpes, FRANCE   Firstly, tell us...

This week for our 46th In Focus interview we are talking to Clara Araujo. A fine art photographer from Brazil whose images explore the dualities and other aspects of the human psyche. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s really hard to pick just one… but probably this self portrait: “The Birth Of Venus”, Body of Water series, 2020. ILFORD Hp5+ 400, Yashica Mat 124g. Just in case anyone doesn’t know who you are...