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On the Language of Photographs
A photograph is so much more than just a photograph; it holds an entire language within it. Each photograph captures a unique world that exists only in that moment, preserving the memories of the people in it, and the experiences of the photographer pressing the shutter. Today, I want to reflect on my own work and how my favourite images have defined me as an artist. What messages do they share with the world? How have the tools I’ve used to create them shaped their unique ...
Happy Accidents
For most people in the film community, double exposures are accidents. Happy accidents, sometimes, for sure, but accidents nonetheless. Of course, some people do film swaps, I've done a few and embraced the chaos of the results, but I never got an image out of a film swap that I truly loved. And yet there's something eminently compelling about double exposures.
ILFORD FP4+
Photosynthesis
Five years ago I started a project entitled Photosynthesis that used double exposures as a way to ...
A Revelation
Just south of Sydney sitting on one of Australia’s most pristine coastlines you’ll find the regional city of Wollongong. Nestled within this city of surfers, coal miners and steelworkers you’ll find a group of students creating big things in a small darkroom.
‘Mez, I’ve been thinking a lot… I want to be a fine art black and white film photographer.’
These words from one of my TAFE NSW students, Sara, were delivered with a shakiness in her voice, utter passion in her heart, ...
Discover how Zach Nichols created this stunning long exposure shot in our 'How I Got This Picture' interview. We have noticed, if it's not a double exposure, your next favourite has to be nighttime long exposures.
IMAGE TITLE
Fire Tower Starlapse
TECHNICAL INFO
FILM USED
ILFORD HP5+
FORMAT
4x5
CAMERA
Chamonix
LENS
Nikon 90mm f/4.5 Nikkor-SW
EXPOSURE TIME
45 – 50 minutes
OTHER EQUIPMENT
1 Can of Atmosphere
LOCATION
Just outside Hot Springs, South Dakota.
FIRSTLY, TELL US THE STORY...