Search results for: 'exposur or'

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  • Laura Cogan grants us an exclusive glimpse into her creative process and the techniques that brought forth this beautiful masterpiece. Image Title Isolated Church Technical Info Film Used ILFORD DELTA 100 Format Medium Camera Hasselblad 500cm Lens Hasselblad 180mm Exposure time f4 at 1/500 Other equipment Manfrotto 190CXPRO4 tripod and Sekonic flashmate L-308S lightmeter Location Snæfellsnes, West Iceland - the church is called Breiðabólsstaðarkirkja Firstly, tell us the story behi...
  • Today's #ilfordphoto #fridayfavourites was #themefree. We couldn't wait to see the incredible and imaginative images our community would share. Without a doubt, these selections are some of the standout ones. @Mark_Pimlott. Shot a few years ago on a hasselblad 503 and 40mm Lens with FP4 using a semi stand development #ilford #fridayfavourites   @sbills15. Morning and evening light play. @Hasselblad #hasselblad #ilford #fridayfavourites #panfplus #delta400  ...
  • “I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades. I Was Too Deep Into Analog Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
  •  A History on the Road In May of 2023, I loaded up the car and I headed off to the North Cascades. The freeway had just reopened after a long, icy winter. I was desperate to break out of my work routine and follow my creative pursuits. Growing up in the American Southwest I spent my childhood in the back of my father’s pick up on our family’s retreats. Being from a blue-collar middle class family, we were never going anywhere fancy. We made pilgrimages to Arkansas in my youth where abandoned and di...
  • 1969 After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
  • Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out. SECTION 1 - BACKGROUND SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU. Invasão | ILFORD Delta 400 | Yashica Zoomate 76 There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
  • Daniel Elbaz generously shares insights into his creative journey and how he conceived the idea of "12 Ways to...", for our 'How I Got This Picture' series. IMAGE TITLE 12 ways to … Technical Info Film Used ILFORD HP5+ Format 120 Camera Hasselblad 503cw Lens Planar 80mm Exposure Time 1/125s at f16 Other Equipment Elinchrom Studio flash Location Paris, FRANCE Firstly, tell us the story behind this image. What inspired you to shoot it? I have been passionate about black and white phot...
  • This week's theme for #ilfordphoto #fridayfavourites is #allonkentmere. Kentmere, with its exceptional quality, is not only an excellent choice for those venturing into film photography for the first time but also a preferred film for seasoned photographers. @hannibal.bass. Pentax MX? Kentmere 400...#pentaxmx #shootpentax #kentmere400 #ilfordfilm #kpan400 #allonkentmere #fridayfavourites #35mmfilm   @uk_filmfanatic. Repost for @ilfordphoto #fridayfavorites. Sleepy Jack Russell. Nikon F100 wi...
  • Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview. IMAGE TITLE Downtown Toronto #2 2023 TECHNICAL INFO Film Used ILFORD HP5+ shot at 1600 ISO. FORMAT 35mm. Camera Nikon F3. Lens 17mm Tokina Prime Lens. Exposure time Can't Remember. Location This shot was taken looking up into the mist-covered buildings at the intersection of King s...
  • The Nod The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...

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