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Laura Cogan grants us an exclusive glimpse into her creative process and the techniques that brought forth this beautiful masterpiece.
Image Title
Isolated Church
Technical Info
Film Used
ILFORD DELTA 100
Format
Medium
Camera
Hasselblad 500cm
Lens
Hasselblad 180mm
Exposure time
f4 at 1/500
Other equipment
Manfrotto 190CXPRO4 tripod and Sekonic flashmate L-308S lightmeter
Location
Snæfellsnes, West Iceland - the church is called Breiðabólsstaðarkirkja
Firstly, tell us the story behi...
Brutal & Beautiful
In June of 2022, I set out on a 3500 mile motorcycle trip with my close friend David Wright. We left from Los Angeles, CA with our end destination being Glacier National Park, searching for the space in-between life’s brutal & beautiful exploration of our short time upon this world. I personally have gone through life altering changes these past few years; death, a divorce, more death, the on going pandemic and having to confront life, loss and the overwhelming notion that time...
“I’ll just fix it in the darkroom.” is the motto I’ve lived by for decades.
I Was Too Deep Into Analog
Studying photojournalism in the late 80s, I was taught to print well but never learned advanced printing techniques because we were being prepared for quick turn-around journalism assignments. Commercially available digital photography was in its infancy, so it wasn’t on my radar, and even when it became standard, I was too deep into analog to have any interest. I shot for a local paper for se...
We asked you to share you having #funonfilm for this week's #ilfordphoto #fridayfavourites.
These images were our favourite picks from those who submitted them on Twitter and on Instagram.
@PhlStrchn. Taken while setting up to take a photograph in Perth a few months ago, someone wanted to have #funonfilm ?. I'm sharing the shot for this week's #ilfordphoto #fridayfavourites . Film: #IlfordHP5. Camera: Mamiya C220 #ilfordphoto #believeinfilm #filmphotography
@MattAngleyPhoto. Shooting Th...
1969
After too short a visit to Athens’s Parthenon in 1964, I vowed to return soon. By 1969 I was standing on the deck of a wave tossed Yugoslavian freighter with my back to New York City. Watching the grey, stormy, November Atlantic from the quiet of the Navigation Bridge was a peaceful retreat. Our first port-of-call was Casablanca. As a travel companion I had Greek philosopher Nikos Kazantzakis's book, Report to Greco, basically a story of Kazantzakis's search for his identity. It seemed a good read...
Our 72nd In Focus interview is with Brazilian lab technician and teacher Samanta Ortega. Samanta focuses on empowering and fueling the resurgence of film photography in Brazil from the inside out.
SECTION 1 - BACKGROUND
SHARE YOUR FAVORITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
Invasão | ILFORD Delta 400 | Yashica Zoomate 76
There is so much I could say about this image, but no description I elaborate will ever do it justice. This was one of the frames in the first eve...
One Specific Speed Rating
Us film photographers are used to the limitations of our medium. In fact, we often regard them as strengths, and not weaknesses. But even we can’t really take issue with the suggestion that as soon as we begin to expose a roll of film we are limited to one specific speed rating, making it more difficult to adapt to quickly changing light conditions. On digital: no problem. Just whack the ISO up to some implausibly high number, and keep shooting. Sadly we just can’t do that mid...
Allow us to introduce Mandyleft, our 73rd featured artist in our "In Focus" series. Mandyleft is a talented film photographer known for her deep passion for connecting with people, a quality that has immersed her in the vibrant film community.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE/PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU.
I took this photo in a hotel in London. It was a very exciting weekend. I had just been to the theatre and then I had been shooting around the West End...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
My First Child
I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call.
This New Chapter
To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...