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Light in the Dark Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right. I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...

After the fantastic response to this image when we shared it on our Instagram. We contacted Mustapha and asked him to tell us about it and answer some of the questions about how he had created it. Patricio Reyes Benavente Mendiola, aka "Pineapple" Technical Info: Film Used: Ilford Delta Pro 100, Medium Format 120 Black & White film Camera: Yashica Mat 124 G, Lens: Twin Lens 80mm Exposure Time: 1/125 @ f8 Other Equipment: Tripod, Light Meter, Cable release, Sync cable, V-flat, Strobe Light, ...

Perhaps best known for his engaging YouTube content and Instagram channel, this week we talked to Ribsy about his film photography SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD film and tell us what it means to you? London South Bank on FP4 This is my favorite image shot on Ilford film (FP4). This shot was taken during a lovely Saturday afternoon on the South Bank in London, the week the final lockdown was eased. Immediately I think about the joy of walking around in the su...

All photographs are memories, a snapshot in time. Albums are great for looking back over places visited and people now missed. For this week's #ilfordphoto #fridayfavourites #filmmemories theme we ask you to share shots that invoke memories for you. @timdobbsphoto "Ice Cream Van" .. Nikon FM2n on ilford HP5+ always reminds me of my childhood #filmmemories #ilfordphoto #fridayfavourites #believeinfilm   @rrafols One of my first outings with the #Pentax67 in my hometown. It was an old fishing ...

A scene that screams colour Have you ever been out with your camera, loaded with your favourite black and white film stock and found a scene that screams to be shot it colour? Of course you have, we have all been there! Today I am going to introduce you to a new 150 year old process called Trichromy also known as the three colour process or more recently Trichromes (by Jasper Fforde). As with all early photographic techniques it's difficult to say who coined the process first as there were many people w...

Interview number four in our Behind the Film series is with International Sales Manager and relative film newbie Alex Hancock. Who are you? What’s your job title HARMAN technology and how long have you worked here? I am Alex Hancock and my role is International Account Manager. I've been with HARMAN for 3 years now. Tell us a little about your day to day role. My role is to support our international partners who manage the brand and sales in countries around the world. I work directly with all of thei...

During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative. Cyanotype   A lonely weed The local darkroom re-opened for half-day s...

Whether they were intentional and thought out or, in camera accidents. We asked you to show us your #doubleexposure shots for today's #ilfordphoto #fridayfavourites. Some definitely turned out better than others but they are all interesting! @DBloomsday This #ilfordphoto #fridayfavourites #doubleexposure shot (on FP4) isn't my favorite, but it's one that gets the most photoshop accusations for sure!   @tomnorthenscold On the first roll through my newly acquired Kodak Duo Six-20 I had issues ...

After sharing a few of his images in the past, we felt we wanted to know more about Nicolas de Bouville, so he became interview number 42 in this series. We have to confess to a bit of camera envy over his collection! Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? It’s so hard to pick one image only. If I think about one of the last series I did, I really like this picture of Alejandro. I’m used to photograph Alejandro in a very differe...

Cabin Fever Tired of COVID 'cabin fever'  I needed to get out shooting so I concocted  a mission to shoot a total of 36 acceptable shots in a 2 day time frame.  Day one would be 12 6x6's and the second would be 35mm for 24 shots... fingers crossed. I decided to shoot b&w film.  This would not have been my choice a few years ago but the plethora of  digital imagery has turned me off to the point where I'm re appreciating the disciplined 'analogue' mind set. I just flat out love and respect the w...