Search results for: 'and light'

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  • A regular contributor to conversations on film and analogue photography and always happy to share her knowledge and support other photographers. This week's In Focus interview is with Paula Smith. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? One of my favourite images. This was taken in New Zealand on a crisp sunny winter’s day. The light was beautiful and I loved how it picked up the chicken wire on the jetty. It brings back great memo...
  • Hi, my name is Daniel. I am a family father, creative director, and amateur photographer, so you might say I make my living by telling stories and I feel fine when things get emotional ;-). I am based in Heroldsbach, Germany. That’s a small village which lies on the edge of the so-called Karpfenland, a natural landscape transformed by man for pond farming. Until 2013, this cultural landscape was utterly unknown to me. Today it has become my home. Yet one question nags on me: “Who shapes whom more:...
  • We hadn't seen much of Asa's work when she was nominated by Melanie King but we're so glad that she bought her to our attention. We hope that you enjoy her images and finding out more about them. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you? I use a large format monorail camera and shoot on Ilford HP5 Plus 5x4” sheet film. This photograph was shot in Italy during an artist residency at the British School at Rome in 2016. I went there to ...
  • We were looking forward to seeing your shots for this week's #ilfordphoto #fridayfavourites #filmdrama theme. Black and white film really lends itself to adding atmosphere to already dramatic shots. grainy_waves Storm Franklin Only one brave guy out and one idiot shooting medium format on the hasselblad . Not another soul to be seen Hasselblad 500 cm . 500 mm , ILFORD HP5 pushed to 1600 Developed in DDX 13 mins   @PlymouthDarkro1 Just enough drama in the sky for a nice balance. Its all Iford...
  • Our 56th In Focus interview is with Brazilian experimental photographer Breno Barros. Nominated by Clara Araujo, Breno shoot underwater portraits on film searching for experiential processes that defy traditional photography boundaries. Section 1 - Background Share your favourite image / print shot on ILFORD film and tell us what it means to you Multiple-exposure for the project “La boutique de l’âme” using Mamiya M645 and Ilford HP5+ My favourite image using Ilford film is due to an experimen...
  • Dave's photograph received so much engagement and interest when we shared it to Instagram, we had to get in touch so that we could ask how he created this shot. - Technical info - Film Used ILFORD XP2 Super 120 Format 6x6 Medium format Camera Mamiya 6 Lens 55mm f4 Exposure time 4½ minutes Other equipment Benro Tripod Location New Brighton beach lighthouse, Merseyside.     Firstly, tell us the story behind this image. What inspired you to shoot it? I ...
  • HOW IT BEGAN I’m a great believer in serendipity. I was visiting a friend to deliver a print that she’d bought from me. At the time I was taking a lot of photos of graveyards, and she offered to show me a derelict cemetery which had been left hanging in the undergrowth on the banks of a major new road development. As we walked back through the village, I stopped an old man to ask if I could shoot his portrait, and when he very abruptly declined she said, you should meet Faye…… Fourteen month...
  • My Approach It was during a group exhibition that I discovered the practice of cyanotype. The Espace Liberté Gallery located in Crest in the south of France is a contemporary art space open to all graphic and plastic disciplines. The theme proposed by Au Jour le Jour was an ephemeris where 31 chosen artists (painters, illustrators, photographers, plastic artists) had to illustrate 12 randomly selected dates with their art. Two constraints were imposed: a maximum size of 20cm on each side and the same sell...
  • Our 57th In Focus interview is with Simon Smars from Stockholm who is a professional fine art photographer. Simon works exclusively with limited edition handmade black and white silver gelatin fiber prints, using traditional darkroom techniques. He creates a mixture of minimalistic scapes paired with a melancholic somber, with scenes often stripped to its bare essence. SECTION 1 - BACKGROUND Share your favourite image / print shot on ILFORD Film and tell us what it means to you? C I G (1: f.13 · 10-sto...
  • International entries This year we opened the annual student competition up to entries from all around the world. We knew that many educational establishments had still not been able to fully return to darkroom printing but we wanted to give as many students as possible the chance to get involved. We are so glad that we did. With over 500 entries from the four corners of the world, this year’s competition theme of ‘Natural Light’ was one of the toughest that we’ve ever had to judge. A difficult...

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