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The Truth Is
It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...
2024 ULTRA LARGE FORMAT (ULF) AND CUSTOM FILM CAMPAIGN IS NOW OPEN
It's that time of year where we once again give any photographers with the many vintage, collectible, and home-made cameras out there the opportunity to order selected custom sizes of ILFORD ultra large format sheet film and other specialist products without the constraints of the usual minimum order quantities.
You have until Saturday 1st June 2024 to place orders with participating resellers.
WHEN WILL I RECEIVE MY ORDER?
We ...
We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series.
Image Title
River Of Light
TECHNICAL INFO
Film Used
ILFORD FP4 Plus
Format
120/617
Camera
Linhof Technorama 617s III
Lens
Schneider 250mm Tele-Xenar
Exposure time
1 second
Other equipment
Gitzo Explorer Tripod, Lee 100 red filter
Location
Ober Goms, Geschinen, Valais, Switzerland
F...
Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves.
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...
Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative?
The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...
Use Of Elegant Black and White
Since 2014, Angélique Boissière has been exploring film photography through medium format, which she likes for its square framing, and thus to get reacquainted with an art that calls to her from her teenage years. With a classical artistic background nurtured through her practice of dance and her affinity for Impressionist and Romantic imagery, the feminine nude came up as an obviousness, given the immutable place it takes in the western Art History. It is with the same aim...
Film: ILFORD Delta 100 - Camera: Minolta X-370s - Cemitério dos Prazeres, Lisbon.
Hatching
The story of my involvement with film photography is also a story of rebirth. I was first born and raised in Brazil, in an arid and hot region known by the motto “land of light”, but I was then born again under my current name, Laura, just a few months before moving to Lisbon, Portugal. As any transgender person should know, having your new identity accepted by previous family members, acquaintances, can be an...
Finding Your Niche
I never expected to be doing what I do today. For some reason, it never crossed my mind that I could photograph people for a living. I struggled a lot through university. It wasn’t that I didn’t enjoy my classes, but I truly had the hardest time finding my niche until the last year or two. I knew I loved working with film. Digital was nice, but too sterile for my taste, and I felt that I could never achieve the look I was aiming for. 35mm was a step in the right direction. It provide...
The Dynamic
There is something distinctly different about photographs of cities versus rural areas. The variations of negative space, the intensity of nature versus people, and the rhythm of light that exists in these places; all contribute to the dynamic of a photograph.
Personal Goal
Last March, I made a trip to Colorado and the Grand Canyon to visit two of my best friends. I went on this trip carrying more black and white film. My favourite ILFORD film is HP5+. It’s my personal goal to photograp...
Same as ours
The reportage tells of a journey in the regions of Northern India, starting from the borders with Pakistan to the banks of the Ganges river, in Varanasi. The story traveled on trains, buses, planes and tuc tuc. The roads were all dusty and bumpy but the people met were all clear and sunny. The glances reveal details of everyday life: people working, eating, sleeping, children going to school. Their daily life is the same as ours, but at the same time very different. If you step off the well-tr...