Search results for: 'hand that this this'

A family of photographers It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod. Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm &nbs...

  Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...

Where the Hasselblad love started long, long time ago, I can still remember how— Hang on, let me start again… When I were a lad, mankind did something utterly astonishing: men walked on the moon. For a 13-year-old science geek, staying up till <mumble> o’clock in the morning to watch this historic event was possibly the most exciting thing that’s ever happened to me. For a 13-year-old budding photographer, the cameras that Neil Armstrong and Buzz Aldrin were wielding held a strong...

A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

An appreciation of Ilford FP4 The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology.  For me Ilford’s FP4 is one of those little pleasures. The RAF I was a photographer in the Royal Air Force from 1986 -1995.  At my RAF unit we had little choice of film stock.  It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...

Thank you What a fantastic year! We've seen film usage increase again, with more people than ever either picking up a film camera for the first time, or re-discovering their love for shooting film. We're really excited to see what next year brings. A huge thank you to everyone who shares #ilfordfilm images with us on our social media streams. We love seeing what you are shooting with our films and chatting to you on Twitter / Facebook and Instagram. We have lots of exciting plans for 2018, including ...

Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...

Double exposures can be really tricky to get right. Lucy Ridges shares the secrets behind her ship / nude image below. Ship Technical information Shot on: FP4 plus medium format film Camera Mamiya RB 67 Exposure time Double exposure, each exposure 1/60 F5.6 Other equipment With bowens studio flash (1 x large soft box) I shot this image at my photographic studio in Manchester, located within Rogue Artist Studios The story behind the image My work for many years has encompassed a love for mul...

An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...

The first time around... I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...