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A family of photographers
It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod.
Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm
Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm
&nbs...
I’m Anil Mistry and I’m a photographer. I shoot a whole variety of work, including headshots, documentary, portraits and personally initiated projects. Whatever interests me and helps me to improve my body of work.
I’ve been asked to talk about an area of my photographic work that I have a real passion for. In my case, that's the capturing of street portraits.
Why do I take street portraits?
There’s two main reasons I do it, and I’ll try to go through them succinctly:
It’s not easy
...
#ilfordfridayfavourites #storytelling
We shook things up a little with this weeks #ilfordfridayfavourites by asking you to tell us a story with a single frame. There were so many good entries, it was difficult to choose, but we have eventually settled on these as our favourites.
@budameat Worker in Leh, India #ilfordfridayfavourites #storytelling #Ilford #delta400
@fernweh86 NYC earth day March with #ilford #hp5 and the classic @Hasselblad #xpan
@mparry1234 She sells sea she...
An appreciation of Ilford FP4
The greatest pleasures can be taken from the simplest of things. An appreciation of something old that gets passed by while everyone tries to keep up with the crowd or the relentless progression of technology. For me Ilford’s FP4 is one of those little pleasures.
The RAF
I was a photographer in the Royal Air Force from 1986 -1995. At my RAF unit we had little choice of film stock. It was FP4 and HP5 for black and white. Being stationed at a headquarters unit mean...
Nolton Haven
Technical info
Film Used FP4+
Format 35mm
Camera Nikon F2
Lens 20mm F3.5 AI. 25A red & 2stop ND filters.
Exposure time 30seconds
Other equipment Manfrotto tripod, Weston Lightmeter.
Location
Nolton Haven is a small narrow bay on the Pembrokeshire coast in West Wales. It sits between the two much larger beaches of Druidstone and Newgale. Its characteristic feature are its two almost near symmetrical headlands.
Firstly, tell us the...
It is my opinion that some photographers mistakenly regard ILFORD HP5 PLUS and its predecessors to be a somewhat cheaper, lower quality response to Kodak’s Tri-X. I hope to demonstrate in this review that this assumption simply isn’t the case.
There’s much more to HP5 PLUS than meets the eye – something that regular shooters of this film will be more than aware of (you folks can leave now, nothing new here).
For those of you who haven’t shot this film before, this review will give you my tak...
A medium for the moment
I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
Window Cleaners shot on ILFORD XP2S
An unknown language
When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time.
Expanding my understanding
Recently however I have been looking for different ways to expand my und...
An experiment in chemical possibilities
When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy. If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...