Search results for: 'this trai'

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  • Tranquility Alan Brock searches for a sense of calm in his images. He shares how he achieves it below Technical info Film Used: Delta 100 Format: 4x5 Camera: Intrepid 4x5 II Lens: Nikkor 180mm f/5.6. Shot at f/45 Exposure time: 40s Other equipment: Gitzo 1545T Tripod Location:  Parksville Lake Tennessee     Firstly, tell us the story behind this image. What inspired you to shoot it? I like to search for a sense of calm in my images.  In a lot of ways this fits my...
  • Farhya Tariq Tarey give us the lowdown on how he captured this striking portrait.     Technical info   Film Used  -  Ilford FP4+ Format -  4x5 Camera -  Wista Lens - 180mm Nikkor f5.6 Exposure time  - 1/125 Location  - Columbus, Ohio Firstly, tell us the story behind this image. What inspired you to shoot it? This image is part of long term project. The project highlights the relationship between African & African Americans women and their sca...
  • A medium for the moment  I always travel with my 35mm SLR and a stack of Ilford HP5 and Ilford FP4 film. I definitely prefer the look and process of shooting film when traveling and photographing on the street and I find my small SLR with it’s 50mm lens is small and inconspicuous enough to capture intimate street portraits. Shooting everything on the same 50mm lens and film medium gives my work a consistent look and feel. I have always found shooting film slows down my process, it forces me to think mor...
  • The Grand Canyon at Plateau Point Technical info   Film Used:  ILFORD FP4+ Format: 4x5 Camera: Wista 45DX Lens: Rodenstock: 90mm f/4.5 Exposure time: 1/60th Other equipment: Red filter Location: Plateau Point, Grand Canyon National Park     Firstly, tell us the story behind this image. What inspired you to shoot it? One weekend at the last minute I decided to do a full moon hike to Plateau Point in the Grand Canyon. My plan was to hike down around ...
  • Window Cleaners shot on ILFORD XP2S An unknown language When I started in photography I was always put off from film, by the balance (in my mind anyway), between the effort and time taken out of my workflow in developing, and the rolling cost. As well as my dependence and already intimate comprehension of digital systems. Film was an unknown language, and not one I was prepared to learn at the time. Expanding my understanding Recently however I have been looking for different ways to expand my und...
  • ILFORD Photo UK student photographer of the year The increasing popularity of film photography in schools and colleges has seen a record number of darkroom prints submitted to the annual ILFORD PHOTO student photography competition. The high standard of entries from schools, colleges and universities across the country has made the selection of a winner a very difficult task. However, a unanimous winner has been chosen and the title of ‘ILFORD PHOTO UK Student Photographer of the Year 2017/18’ has b...
  • It's really inspiring to see how many of your are developing your own black and white films. Hopefully our recent YouTube video will encourage a few more of you to have a go! These were some of our favourites from the many submitted this week. @curtis_kularski  Nikon F portrait of F6. Delta 400 in ID-11. f/2.8, 50mm, 1/100   @oliverdegante Ilford HP5+ on Tmax Dev 1+4 8min #fridayfavourites #homedev #believeinfilm   @DBloomsday I #homedev almost all my photos, so let's show so...
  • Images with feeling The most attractive element of analogue is its delicacy. The analogue process has remained so ingrained into my practice, I can't imagine working in any other way. Seeking images which stir a feeling within and seeing that image through each stage of the process to finally create a hand-made darkroom print. The print may not be perfect, I do not tirelessly work on test strips creating a technically perfect image, I never leave the confines of the darkroom to inspect the print once it...
  • An experiment in chemical possibilities When I took up a camera after a few years’ hiatus in 1990, I was surprised to discover that I could no longer get a black & white film developed through the nearest camera shop, never mind through the local pharmacy.  If memory serves, I was told it would cost $40 for a single film. Naturally, I returned to processing my own film just I had done when I first took up a camera in the early 1970s. The world had moved on, and colour film was the default medium f...
  • The first time around... I enjoy photography especially black and white.. I've taken a wide variety of subjects and images over the years including sport, travel, documentary and landscape. I learnt with 35mm film cameras before moving to 645 medium format and then digital. For B&W I learnt to develop and print whilst at school and this has continued ever since with a darkroom constructed in my loft. This was decommissioned in 2007 when I started shooting digital and I eventually took a sabbatical from...

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