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  • The Start I had previously experimented with photography, but nothing too technical. To my astonishment, I managed to capture some really good images and the bride and groom loved them. Using the positive feedback I received from them, I kept hold of the camera and began to research techniques. I began with my pet dogs (many photographers favourite models), then moved on to young family members and babies, then to asking friends if they could travel to a location with me and let me shoot them. Taki...
  • #alternateprocess Happy Friday everyone! Last week we set the theme #alternateprocess for #ilfordfridayfavourites and we've seen such variety of images. Sun prints, tin types, cyanotypes, wet plate, pinhole, palladium, hand coloured, tones in a variety of liquids, we've had them all. Here are our favourites five @mparry1234 - MULTIGRADE paper with leaves and an hour of sunlight. #ilfordfridayfavourites #alternateprocess @corrine_perry 'Melancholia #1' Hand Coloured Darkroom Photograph #al...
  • Jokulsarlon Two For our inaugural 'How I got this picture' post, we're talking to Dave Kirby about Jokulsarlon Two. One of the beautiful images in his Iceland series.   Jokulsarlon Two ©Dave Kirby Film Used – ILFORD FP4+ Format - 120 film in 6x6 format Camera - Bronica SQ-A Lens – 80mm PS Exposure time – 57s Other equipment – The cheapest, naffest tripod money could buy (now broken), 10 stop filter, hat!   Location Jokulsarlon, South Coast, Iceland....
  • Man of science I love alternative photographic techniques like dry plates and brushed on emulsions. I am a darkroom fanatic – always exploring new ways to mash up digital with traditional analog techniques. I love all kinds of print processes – cyanotypes, salts, van dykes to name a few. I shoot all formats right from 35mm half frames up to 8×10 large format. I am also an avid camera collector but prefer to be a user rather than an admirer of my cameras. I currently use a Nikon F3, Leica M-A, Hasse...
  • HARMAN Lab - The new name for ILFORD Lab Direct We have updated the name of our award winning Lab service to HARMAN Lab. The new name reflects our desire to give more recognition to the "HARMAN*" brand, and presents opportunities to further broaden our lab service offerings in the future. We still offer the same high-quality film processing and real Black and White prints as we've always done. Using ILFORD Photo Papers and Chemistry throughout. Operating from our factory site in Mobberley, C...
  • Today is #worldphotoday and lots of people around the world, (included me) will be uploading a shot and sharing their world on http://worldphotoday.com We can’t compete with that, so instead have shared some of our favourite shots from around the world for this weeks #ilfordfridayfavourites @mac971 too hot out there! #hp5 #Rome @jefferydross  “Wheat Barge” Snake River, Washington #LeicaM6 @ILFORDPhoto fp4+ @tobijenkins One landscape from #canada that was shot on #lakeminnewanka ...
  • A family of photographers It’s difficult for me to imagine my family members without their cameras. I grew up in a family of photographers. This seemed so natural to me, that, as a child, I thought all my friends at school had photo labs at their grandparents’ house. For years, underneath my bed, sat my great grandfather’s wooden photographic chamber, along with its imposing tripod. Ilford FP4 Plus / Hasselblad 500CM / Sonnar 150mm Fujifilm Acros 100 / Hasselblad 500CM / Distagon 50mm &nbs...
  •   Earlier this year we agreed to take part in @EMULSIVEfilm community interviews and these are the results. Over to you #EMULSIVE Back in mid-May 2016, we invited you all to submit your questions to Ilford Photo for the second in a new series of community interviews here on #EMULSIVE. As with the first, the premise is simple: we collect questions from you, the film photography community, package them up and then work with the interview subject to get them answered and published. Well, we’...
  • A little background I was born and raised in Caracas, Venezuela.  My chosen field of study was production engineering, but was I taking photography classes in the evenings and began working for a super cool magazine called Urbe, which is a bit like what Vice is in the UK now. I quickly became the chief photographer shooting all kinds of amazing and interesting people, and it was then that I knew that this is what I wanted to do with my life. Looking back it was quite an interesting time - I’d be learnin...
  • A former life . . . Before my life as a photographer I worked in Social Services for many years advocating and caring for adults with severe intellectual and psychical disabilities. It was an aim of mine after completing my photography studies to somehow incorporate my former work with my new creative profession. A film connection Shortly after going freelance I was contacted by a Diversional Therapist from a Sydney hospital who had a client with a Traumatic Brain Injury who, before a tragic accident som...

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