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When I Was A Teenager
Mine is a common story with photography in that my dad gave me his 35mm camera when I was a teenager. I shot his Minolta until I dropped it a few too many times and the light leaks became punitive. Soon after, I stumbled into the darkroom just as casually after I found my dad’s enlarger in the back of a closet and my friend, Joel, taught me the basics of printing in a few hours (I didn’t realize how difficult that would be). I didn’t have or know about filters and had no techniq...
Portraits Of Strangers
I’ve always been fascinated with people on the street and how they carry themselves. Their faces, body language, the clothes they wear - everyone’s walking around with their own unique story, and I can’t help but be curious. I've spent a lot of time working with non-actors in commercials and documentaries, which has been a crash course in connecting with people quickly. It’s not your typical "stand here, do this" directing. It's about getting real people to open up in front o...
My First Child
I got pregnant with my first child in early 2020. Our 12 week scan took place three days before the announcement of the first lockdown in the UK. I spent the majority of that pregnancy in isolation, with no face to face appointments with any health professionals and barely any contact with friends and family beyond WhatsApp or the occasional video call.
This New Chapter
To make matters worse, I fell at home at around 30 weeks pregnant and broke my left wrist. I spent the best part of 1...
A heartfelt thank you goes out to everyone who emerged from the shadows to participate in this week's eerily captivating #ilfordphoto #fridayfavourites theme, #halloweenonfilm. The entries for this week were truly outstanding, making the task of narrowing them down exceptionally challenging. Please take a moment to have a look at some of our favourites.
@PhotoGaet. A creepy misty night in the park. Shot on ILFORD Delta 100 Bronica SQ-A #ilfordphoto #fridayfavorites #delta100
@davejsherwood...
Sharing Our Experience
One Day At A Time Boys is an arts project that has run for the past 3 years in Damien John Kelly House (DJK), a recovery community for men based in Liverpool 15. Offering a program of support based in the arts, sport and culture. We celebrate our community, explore individuality whilst documenting our personal growth and shared experience. Applying recovery values of willingness, honesty, and open mindedness within a creative setting. Marrying up the transferable benefits and lessons...
Camera And Us
Once I started shooting film, I decided to start creating some photography projects. My first photographic project was called: 'Camera and Us.' This project documented people on the street and which camera they used. I chose to use a film camera to capture all kinds of people with their cameras on the street. Once I approached them, I told them my photographic intentions. We would have a simple chat to make them feel comfortable and more importantly, for them to consent to be photographed.
...
We are now heading to HARMAN Lab to speak to Charlie Hill , our 16th Behind the Film interview. Charlie works as a Photo Lab Technician here at HARMAN Technology. Find out more about what his role entails.
WHO ARE YOU? WHAT’S YOUR JOB TITLE AT HARMAN TECHNOLOGY AND HOW LONG HAVE YOU WORKED HERE?
My name is Charlie Hill, I have worked as a Photo Lab Technician since April 2023.
TELL US A LITTLE ABOUT YOUR DAY TO DAY ROLE.
My day-to-day role revolves around Harman Lab where we offer B&W and colou...
Step into Simon Auger's world as he unveils an intimate view of his creative process and the intricate techniques that birthed this stunning architectural masterpiece in this 'How I Got This Picture' interview.
IMAGE TITLE
Downtown Toronto #2 2023
TECHNICAL INFO
Film Used
ILFORD HP5+ shot at 1600 ISO.
FORMAT
35mm.
Camera
Nikon F3.
Lens
17mm Tokina Prime Lens.
Exposure time
Can't Remember.
Location
This shot was taken looking up into the mist-covered buildings at the intersection of King s...
Concrete Jungle
At the crack of dawn, the sleepless vagrant remains glued to the stone of the pavement. A long road with no intersection, apha indlela ayibuzwa kwabaphambili. As the light creeps into the skyline, all a city dweller sees is blood and grime. With so much dog shit in the streets, beggars are still scrapping for bones to chew. A muffled groan & moaning of a trapped miner, buskers are constantly offbeat & in a permanent state of gloom and cynicism. The nostalgic aroma of the communityâ€...
The Nod
The rope is thick and heavy, and coated with resin applied to heat it up and make it sticky. The cowboy wraps this bullrope around his right hand and ties himself in. A thin leather glove protects him from burning his hand if the rope slips. He settles himself on the back of the 1500 pound Brahman bucking bull named Spooky Lukey, and Spooky Lukey hasn’t been ridden yet this season, or last year for that matter. When he’s set, he gives The Nod. The Nod starts off one of the greatest sequences in...