Search results for: 'this this'

The Truth Is It is always with regret when I say that I never had a formal arts education. The truth is, growing up, I devalued the ability of taking a ‘decent’ picture along with whether I could kick a ball with my left foot (I can) or produce a winning back hand on the tennis court (I can’t). Photography was for holidays and special occasions and not much in between. In the days before social media and personal websites, a work colleague once asked me for printed copies of my photos after a trip to...

2024 ULTRA LARGE FORMAT (ULF) AND CUSTOM FILM CAMPAIGN IS NOW OPEN It's that time of year where we once again give any photographers with the many vintage, collectible, and home-made cameras out there the opportunity to order selected custom sizes of ILFORD ultra large format sheet film and other specialist products without the constraints of the usual minimum order quantities. You have until Saturday 1st June 2024 to place orders with participating resellers. WHEN WILL I RECEIVE MY ORDER? We ...

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A huge thank you to everyone who shared an image for this week's #ilfordphoto #fridayfavourites, with the theme being #themefree, 26th April 2024. This theme was popular with many entries, which we enjoyed looking through.  Our favourites are below. @PhlStrchn. One from February, a beaver had been gnawing its way through the trunk of this tree. On the banks of the River Tay, North Inch, Perth.#ilfordphoto #themefree #fridayfavourites Film: Ilford HP5+ Camera: Yashica 'A'.   @curnop. Recent ...

We caught up with the incredible Jane Meling to unveil the secrets behind her breathtaking panoramic landscape masterpiece! Join us as we unravel the secrets in our exclusive 'How I Got this Picture' series. Image Title River Of Light TECHNICAL INFO Film Used ILFORD FP4 Plus Format 120/617 Camera Linhof Technorama 617s III Lens Schneider 250mm Tele-Xenar Exposure time 1 second Other equipment Gitzo Explorer Tripod, Lee 100 red filter Location Ober Goms, Geschinen, Valais, Switzerland F...

Our brand new, worldwide, student competition 'Pride and Prejudice,' (A reflection on the world today),  is now open for entries. We can't wait to see how you interpret this challenging theme. PRIDE & PREJUDICE -  The brief Borrowing the title from Austen's classic novel, we want to see how you interpret its central themes of Pride and Prejudice and how it is reflected in the today's world. Morality, social standing, race, religion, sexuality - we want to see the world through your lens. We are loo...

This week's theme was #springonilford for #ilfordphoto #fridayfavourites. Spring has sprung so we wanted you to share a shot showing what spring looks like in your part of the world. @CBarnePhoto #springonilford #ilfordphoto #fridayfavourites #kentmere100in120 Caught this little snail enjoying the spring sunshine last month. Shot on a Mamiya 645 at 80mm and home developed in Parodinal 1:50 @robinferand. Happy Friday everyone! #springonilford Two film stocks used here: 1 • ...

Join us while we chat with freelance photographer Dominik Friess, who is our 76th In Focus interviewee. Dominik's main focus in photography is portraiture, as it is the form of photography that resonates with him the most because of the uniqueness and depth that each person carries within themselves. SECTION 1 - BACKGROUND SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU? I don't believe I have an 'all-time favorite' as such. I've taken many photos on ILFORD fil...

Is a Photograph a Photograph if it Was Not Made with a Camera, Lens, or Negative? The ethereal color palette and expressionistic qualities of the work I have been making with ILFORD's photographic paper seemingly resemble the representations of light and color as seen in many landscape paintings (think J.M.W. Turner, Albert Bierstadt, Thomas Cole); however, the work in my on-going project, I Thought You Left / I Wish You Were Here, are lumen prints—a form of camera-less photography where objects or a neg...

Use Of Elegant Black and White Since 2014, Angélique Boissière has been exploring film photography through medium format, which she likes for its square framing, and thus to get reacquainted with an art that calls to her from her teenage years. With a classical artistic background nurtured through her practice of dance and her affinity for Impressionist and Romantic imagery, the feminine nude came up as an obviousness, given the immutable place it takes in the western Art History. It is with the same aim...