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Light in the Dark
Most fine art photography starts with the photographer and finishes in the darkroom. For me it’s the other way round. My story began with seeking out the light in the dark and becoming one of Britain’s most respected black and white printers. Today, I look for the dark in the light, as a photographer in my own right.
I have put together a show to mark 50 years in my Fitzrovia darkroom which opens (and closes) at the Fitzrovia Chapel on Wednesday, June 30. Then again on Monday 26th-...
Get ahead of the class
Here you'll find links to lots of helpful information that will help you get a head start in your film photography studies. We've collated links to blogs, product pages and shared some educational videos from our YouTube channel too.
So, you've got your film camera and now you need some film. Many schools, colleges and universities will lend out cameras to their students and these generally take 35mm film but, there are other options available and the type of camera that you have ...
During lockdown I rekindled my love of making photograms. It happened naturally after a summer of making cyanotypes. I was also making emulsions out of plants. My garden became a temporary darkroom. With a photogram - you expose your paper to light (sunlight for photograms), with an object on top, and the area underneath the object remains unexposed, so you end up with white paper in that area, like a shadow but in negative.
Cyanotype
A lonely weed
The local darkroom re-opened for half-day s...
We hope that you are enjoying learning more about some of the film shooters that we have working here at HARMAN. This week's interviewee (our 5th) is our MarComms Manager Matt Parry. We think he has a bit of GAS (gear acquisition syndrome) what do you think?
Who are you? What is your job title at HARMAN technology and how long have you worked here?
My name is Matt Parry and I’ve been the Marketing Communications Manager at HARMAN technology since June 2016.
Tell us a little about your day-to-day role.
...
I like to press the shutter and I take a lot of black and white photos simply because I like it. These black and whites I take on Ilford materials. My favorite negative is xp2 super, I also use Delta 100 and 3200, but rarely.
Why ILFORD XP2 Super?
I am a hydro engineer by profession - I traveled a lot, spent a lot of time away from home, so carrying a tank, chemicals, thermometer, bottles, containers, etc. with me was a bit troublesome. Never I needed to organize my home dark-room. But actually, now I sta...
We've really enjoyed the mix of images that you shared with us for today's #ilfordphoto #fridayfavourites #35mmfp4 theme. There was a mix of everything from street and lifestyle to portraits, landscapes. It was really enjoyable to look through them all to find our favourites.
@tangible_tones the fam… Reposted for #ilfordphoto #fridayfavourites theme of #35mmfp4 #BelieveInFilm
@billthoo Still one of my favourites Sydney May 2018 M4 + 50/2 #FP4 #ilfordphoto #fridayfavourites #35mmfp4
...
It's strange how sometimes the simplest of themes can produce the most amazing images. We have seen so many great shots for this week's #ilfordphoto #fridayfavourites #concretefilm theme. Thank you so much for taking the time to share them.
faz.io allied pinnacle #pentax67ii #ilforddelta400 #fridayfavourites #concretefilm #bnwphoto #bnwphotographer #ilforddelta #mediumformat
poloczanski_mikolaj M93 #hasselbladxpan #xpan #monovisions #a1 #ilford #ilfordfilm #ilfordphoto #ilfordxp2 #ilford...
SECTION 1 - BACKGROUND
SHARE YOUR FAVOURITE IMAGE / PRINT SHOT ON ILFORD FILM AND TELL US WHAT IT MEANS TO YOU?
I have many beautiful prints from an Ilford negative. One Ilford film that always interests me is the Ortho 80. Being less sensitive in the reds it renders reds as dark or sometimes black giving interesting results. This is a print of a light switch in my home. The light was casting an interesting shadow across the wall. The black area is a shadow from a picture frame. It’s so simple but I jus...
Light and Details
Black and white photography is a huge component of my process. The timeless quality that is perceived through its tones is something that has drawn me to photography since I was a young kid. Photographing in monochrome not only simplifies the image but, I think helps draw the viewers eye around the images to things more important, like light and details often missed in the distraction of colour photographs.
When I started out photographing, I was mostly documenting my close friends and...
This week's interviewee, Wesley Verhoeve has been on our radar for a while so we were thrilled when he was nominated to take part in this series making him our 44th interview.
Section 1 - Background
Share your favourite image / print shot on ILFORD film and tell us what it means to you?
It’s so hard to pick a favorite image but I will let recency prevail and select a recent top favourite image that made it into my photo book “Notice”. I photographed a giant leaf in a suburban backyard in beautifu...