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HARMAN technology Limited, trading as ILFORD PHOTO, is a global market leader and the only manufacturer in the world to provide a full range of black & white film, darkroom paper, photochemistry and ancillary products. For over 137 years, generations of customers have demanded the very best. And this is why they continue to choose ILFORD. Operating from our manufacturing headquarters in Cheshire, UK. Our products are shipped around the globe and into the discerning hands of beginners, enthusiasts, stud...

The 1800's Alfred Harman 1879 founded by Alfred Harman making Dry Plates 1891 became the Britannia Works Company making 4 kinds of plates and 6 kinds of paper 1897 record profits 1897 sold by Alfred Harman who retired due to ill health 1898 became known as The Britannia Works (1898) Limited 1899 first Ilford Manual of Photography 1900 to 1940 1902 changed name to Ilford Limited 1912 Ilford started to produce roll films 1920 Selo Limited formed incorporating Ilford, Imperial, Gem and Amalgam...

Hand colouring The idea of adding colour to a monochrome image by hand dates back to the beginning of photography. At this time it was the only way to get a colour photograph. Although colour photography using the three colour process was put forward just short of thirty years after the first photograph by Nicephore Niepce,  it was, in its early years, expensive and difficult to produce a colour image. Hand colouring became a practical way to give the impression of colour and everything from Daguerroty...

22nd December 2015 Storm over Vestrahorn, Iceland. Selenium and Thiourea toned silver gelatine ©Tim Rudman/National Trust   ‘Iceland, an Uneasy Calm’ is a series of photographs taken in Iceland over the last eight years by Tim Rudman who is acknowledged as one of the very finest landscape photographers working today. This stunning collection will be exhibited at the National Trust Fox Talbot Museum in Lacock, Britain’s birthplace of photography, from 9 January to 10 July 2016. Tim describ...

Processing your own film can speed up your workflow and give you quicker access to your negatives. It is also typically more cost effective and best of all there is nothing like the sense of satisfaction you will gain by taking control over the full end-to-end process of your photography. While trying it for the first time might be a daunting prospect, fear not. Below is our guide on what equipment, chemistry and method would be suitable for anyone new to processing films. For more detail, you can downlo...

What are film developers? Film developers are a photographic chemical that turns your exposed film into working negatives as part of a processing workflow. (You will also need a stop bath and fixer - for more information on how to process your film or which chemistry to choose read our guides). We offer a broad range of film developers that are designed to exploit the different characteristics of our films. Developers are available in either powder and liquid concentrate form and have a range of charact...

Safety data sheets for ILFORD photochemicals when made up for use These safety data sheets relate to the products after they have been prepared for use in accordance with our recommendations. Because we do not supply these chemical solutions ready for use, we are not obliged to provide these SDSs. However, we do so in order to help users, especially those in schools and colleges, to use the products safely and assess correctly the risks involved. These are European SDSs and are provided in English only.The...

The ILFORD PHOTO Archival Sequence, or Optimum Permanence wash system is a method of processing fibre base papers for maximum longevity while reducing the amount of water and time used. Whilst standard fixing and washing recommendations will give excellent print permanence for all commercial needs. When optimum permanence is needed, perhaps for archival storage of prints, the following fixing and washing sequences at 18–24ºC/65–75ºF (including wash water) are recommended using ILFORD WASHAID. Fi...

Split grade printing The version of split grade printing described here is that taught to me by the ILFORD head printers, Mike Walden and Terry Offord, and is the simplest, fastest way to make good darkroom prints from pretty much any negative. (The exception is really underexposed negatives to print these you usually only need high contrast). This is a very powerful technique that can be used routinely with variable contrast (VC) papers, such as ILFORD MULTIGRADE. It makes use of the differing performa...

 A lifelong hobby One of my lifelong hobbies is photography. I have been taking photographs since I was about 10 years old when I was given an old Kodak folding pocket camera that had belonged to an uncle, Bertrand Perrett, who was a professional photographer and painter in England. I learned to develop and print black-and-white film at school when I was a teenager back in the 1970s. The Slower Pace When digital photography came along I moved to that medium, but recently I’ve come back to film aga...