Search results for: 'that ve come tu'

Why Film? Since 2016 I’ve messed around with film casually alongside digital. Early 2020, COVID-19 forced me to return a year early from a mission trip in Colombia and completely restart my life from zero. I couldn’t afford a digital camera like the one I sold to go on the trip but, my good experiences with 35mm SLR cameras in the past led me to pick up an Olympus OM-10 for $40 and I haven’t shot digital since. Where it began As a photographer this was my first venture into making physical art....

Around the world there are some stunningly beautiful places and buildings used as places or worship. We asked you to share your shots of these sacred spots for this week's #ilfordphoto #fridayfavourites #worshipfilm theme. poloczanski_mikolaj Kathmandu. Boudha Stupa #hasselbladxpan #xpan #monovisions #monovisionsawards #ilfordphoto #ilfordxp2 #fridayfavourites #panoramic #ilfordphotopl #worshipfilm #nepal #nepal8thwonder #makaluadventure_official #makaluadventure   @bsanfordjr Meditation Poi...

In this blog article, Kit Young provides insight into his latest book, Where the Rain Clouds Gather (OD Books) , which was made entirely from scanning hand-made silver gelatin prints. The Concept At times the past year has raced past in a haze. Streets have emptied and we have retreated to our cocoons. Cooped up. Waiting for the storm raging outside to subside. The images in Where the Rain Clouds Gather, my second publication, appear as if from a dream state. Moments in time, brought to life in the dark...

Urban Lives and the Natural World I've been living in some of the giant Asian metropolises for close to a decade now, and it has oriented my recent photography work towards exploring the distance between our urban lives and the natural world. One way I have found to express this has been through film double exposures where I try to blend portraits and plant textures. After 2 years of work on this, it became the Photosynthesis project. There's a little bit of history in this direction with work from grea...

After a 25 year hiatus of shooting stills, I returned to pushing on with my personal photography in 2016 and more recently using film once again. Part of that process has involved a scanner which led me to revisit some of my 1980s images which had never before been published. 1987 In 1987 as a nineteen year old, I volunteered for an occupational therapy department in a Psychiatric Hospital, leading weekly ‘photo therapy’ workshops for a small group of patients. The aim was to encourage the group to ex...

When the streets become unbearable I’m not so good with words, but that’s probably why I love photography. I can let the photos I make speak for themselves. The death of George Floyd, back in May of last year, hit me hard. So much so that I went out a did what I usually do when stress becomes unbearable, I make pictures. I grabbed my Nikon F and Nikon FE, grabbed some HP5 and FP4, and headed out to clear my mind, and see what I could create. While stopping at some familiar spots in downtown Colu...

'The way the lens renders out-of-focus points of light' or #filmbokeh was the theme for this week's #ilfordphoto #fridayfavourites.  @BlkWhiteFilmPix Moved around to capture a bit of #filmbokeh at Shakespeare and Company in Paris on #ilfordphoto Delta 3200. Made the picture with a 35mm lens wide open at f1.4 #fridayfavourites     @AnonymousESQFL Replying to @ILFORDPhoto Shot on #ilfordphoto HP5+ using my Nikon FE and Nikkor 50mm f/2 K. #filmbokeh #fridayfavourites   ...

ILFORD PHOTO ANNOUNCE THE UK WINNER OF THEIR 2020/21 STUDENT PHOTOGRAPHY COMPETITION 'DARKNESS & LIGHT' When we launched the 11th Annual ILFORD PHOTO Student Photography Competition in May 2020 the UK was in lockdown and we were all coming to terms with the impact of the global COVID-19 pandemic. For schools and colleges, this meant closure, online learning, or restrictions on darkroom courses. Despite the disruption that students have faced we were delighted with the quality and quantity of prints ...

A chance encounter We started to make this work roughly ten years ago, after a chance encounter on a photo sharing platform. This led to a mutual appreciation of each other's work and we found that we both saw the potential of the landscape to resonate with inner experience and make it visible. We were both using a camera called a Holga. An incredibly simple plastic medium format camera known for its low quality lens which produces a very dreamy aesthetic, frequently including lens flares and vignetting...

The first roll It is January 31st, 2020. I’ve arrived in London to document the events surrounding the UK leaving the EU. Many groups were converging on Parliament Square for this historic day. My usual workflow was interrupted when fellow documentary photographer Simon King called me aside and handed me a Nikon FG, 55mm f/3.5, and a roll of Kentmere 400. This was the first roll of film I’d exposed in my life. Unaccustomed to the mechanical redundancies and psychological immediacy that film offers, ...